Myths and Misconceptions
Monday, March 12th, 2007Did you hear that FCP can’t do…? Or perhaps it can?
Did you hear that FCP can’t do…? Or perhaps it can?
Mark Raudonis explains how sharing projects with FCP involves thinking differently
From Avid to Final Cut Pro, Loren Miller’s practical tour for switchers is a great starting point
In the first part of a two part interview, Walter Murch talks about editing on Avid, his switch to Final Cut Pro and using FileMaker Pro in the cutting room.
In part two of this interview, Walter talks about why Lightworks never appealed to him, his vision for the future of Final Cut Studio and Feng Shui for the cutting room.
Five top tips to make learning Final Cut Pro easier
All the cool features we enjoy using in FCP
Some cool features we’d like to be using in FCP
“It was difficult to blame an editorial house for installing 10 FCP seats for the price of one Avid but I held out and the Avid was where I was staying…until…”
“I can see a more quirky style of editing emerging that is influenced by cutting on FCP.”
“I sat down in front of a Final Cut Pro system for the first time and let me tell you, I was floored.”
“…we made huge improvements, nearly doubling the amount of seats and storage available.”
“I’ve always had a strong interest in graphics and Final Cut immediately struck me as a combination of Avid and After Effects.”
“I started hearing more about FCP and by 2003 it was clear that it wasn’t going to disappear.”
“Very quickly I began to fall in love with the way FCP did things.”
“I soon began to realize that my little FCP system was actually quite robust and impressive.”